WANG Keqing, LIU Wei, WANG Xilin
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The Tangyang preserved by the Yangshi Lei family contains rich scientific and artistic
value, which is helpful for cross-reference, and comprehensively study the
construction system of ancient Chinese architecture from the perspectives of
materials, dimensions, styles, and craftsmanship. It can also be used as a
reference for ancient architectural design, repair, restoration research, etc.
At present, the research of the Tangyang models focus on the
interpretation of the relevant historical facts and space of building
construction. Relatively speaking, the understanding of Tangyang themselves is not sufficient, in-depth research is still an individual case,
and a comprehensive and overall understanding has not yet been formed.
Especially in terms of production process, it is still in the preliminary stage
of exploration, there is a lack of scientific and systematic in-depth
excavation. There are relatively few reports on the scientific analysis of
painted pigments in Tangyang samples. There are a wide
range of pigments used in the Yuanmingyuan-Tongleyuan Yangshi Lei Tangyang.
The recognizable pigments are red, blue, green, white and yellow, which are
commonly used in Qing Dynasty architectural painting. Some components fell off from
the Tangyang and were scattered around, which need to be resorted. Raman,
Micro-FTIR, SEM-EDS and XRD were used to analyze and study the pigments used in
the Tangyang. The pigments include both inorganic mineral pigments and
organic plant pigments. Researches have shown that the red pigment is cinnabar,
the blue pigment is artificial ultramarine, the green pigment is emerald green,
the white pigment is calcium carbonate, and the yellow pigment is gamboge. As
an organic dye, gamboge is easily degraded by environmental influences.
Therefore, it is rare in paper cultural relics. And the research results
provide evidence for the application of gamboge in Qing Dynasty paintings. This
study also provides an important scientific basis for a detailed understanding
of the information status of cultural relics such as materials and processes.